I have become Monster

An art performance by Anupam Saikia in solidarity with Rohith Vemula at North shop com, University of Hyderabad.


duration 80 min. 
Date: 6 feb 2016


On 17th Jan 2016, A Dalit Research Scholar named Rohith Vemula a student of University of Hyderabad committed suicide. He was social boycotted by the administration of the University.  I was studying in the same University and because of this social injustice a student’s movement was going through the Nation over the year. I was reading again and again the letter and tried to understand / realized the psyche when Comrade Rohith had written those words before killing himself. 

"I have become Monster" 



Here is some link of that mishappening :




Last words of PhD scholar late Rohith Vemula:

"Good morning,
I would not be around when you read this letter. Don't get angry on me. I know some of you truly cared for me, loved me and treated me very well. I have no complaints on anyone. It was always with myself I had problems. I feel a growing gap between my soul and my body. And I have become a monster. I always wanted to be a writer. A writer of science, like Carl Sagan. At last, this is the only letter I am getting to write.
I loved Science, Stars, Nature, but then I loved people without knowing that people have long since divorced from nature. Our feelings are second handed. Our love is constructed. Our beliefs colored. Our originality valid through artificial art. It has become truly difficult to love without getting hurt.
The value of a man was reduced to his immediate identity and nearest possibility. To a vote. To a number. To a thing. Never was a man treated as a mind. As a glorious thing made up of star dust. In very field, in studies, in streets, in politics, and in dying and living.
I am writing this kind of letter for the first time. My first time of a final letter. Forgive me if I fail to make sense.
May be I was wrong, all the while, in understanding world. In understanding love, pain, life, death. There was no urgency. But I always was rushing. Desperate to start a life. All the while, some people, for them, life itself is curse. My birth is my fatal accident. I can never recover from my childhood loneliness. The unappreciated child from my past.
I am not hurt at this moment. I am not sad. I am just empty. Unconcerned about myself. That's pathetic. And that's why I am doing this.
People may dub me as a coward. And selfish, or stupid once I am gone. I am not bothered about what I am called. I don't believe in after-death stories, ghosts, or spirits. If there is anything at all I believe, I believe that I can travel to the stars. And know about the other worlds.
If you, who is reading this letter can do anything for me, I have to get 7 months of my fellowship, one lakh and seventy five thousand rupees. Please see to it that my family is paid that. I have to give some 40 thousand to Ramji. He never asked them back. But please pay that to him from that.
Let my funeral be silent and smooth. Behave like I just appeared and gone. Do not shed tears for me. Know that I am happy dead than being alive.
"From shadows to the stars."
Uma anna, sorry for using your room for this thing.
To ASA family, sorry for disappointing all of you. You loved me very much. I wish all the very best for the future.
For one last time,
Jai Bheem.
I forgot to write the formalities. No one is responsible for this act of killing myself.




This note had shaken me lot and that partially its influence on my performance.

In this performance I wanted to create a monstrous psychology within the human. The titled was taken from the suicide note where Rohith had written “I feel a growing gap between my soul and my body. And I have become monster.” I wanted to create this monstrous feeling through my act of Performance when he had written those words before he committed suicide. During the process of performance, I transformed slowly in to a monster and tried to develop the psychological violence which was created from the power structure, system, caste discrimination etc. I believe that this violence or the monstrous feeling is always within us and we should fight with this feeling which enhances the negativity. I pasted a mirror on my chest so that the viewers can feel the monstrousness in their mind through the mirror. 
 I walked towards the viewer with a knife and some people took that knife and cut slowly the things which I pasted on my body. We can interpret that they released the monster from the body.





























@Anupam Saikia

#paerformanceartinindia #artperformance #anupamsaikia #justiceforrohith




Identity of a Monster

a Art performance at Kolkata International Performance Art Festival 2016, [#kipaf16]
venue: Pathuriaghata Ghosh Bari courtyard, Kolkata. Duration: 25 minutes / 24th Jan 2016


Identity of a Monster



In the month of January 2016 I was selected to participate Kolkata International Performance Art Festival 2016 which was held on 23rd Jan to 26th Jan. During that time I was a student of University of Hyderabad where on the 17th Jan 2016, A Dalit Research Scholar named Rohith Vemula a student of our University committed suicide. He was social boycotted by the administration of the University. During the festival many of Indian Artist tried to work on that mishappening through the medium of Art performance. 

This mishappening had shaken me and that partially its influence on my performance.

Identity of a Monster
a Art performance at Kolkata International Performance Art Festival 2016, [#kipaf16]
venue: Pathuriaghata Ghosh Bari courtyard, Kolkata. Duration: 25 minutes / 24th Jan 2016



the space for the performance titled "Identity of a Monster"
It was day 2, 24th Jan at Kolkata International Performance Art Festival 2016 (KIPAF 16), around noon; the performances for the day had just begun. I silently took a corner at the Pathuriaghata Ghosh Bari courtyard and began at attempt an identity transformation. Coming from Assam, I have many questions around religious identities, violence and fear. After the transformation, through silent performativity, there was an exploration of participatory reactions, I was caring the fear and wonder of acceptance.





With the help of ash and charcoal I draw on my physical surface and extended into almost black. Through this I want raise many questions like identity embodied religion, caste etc, self of the artist and its conflict between figure of the self etc. I wrote a line on my body "I have become Monster" which was taken from suicide note of Comrade Rohith Vemula.



 


Holding the mirror I walked around to every person and stand in front of them. They can see themselves in the mirror which is holding in front of my chest which is metaphorically relate to Ramayana myth where Hanuman portrayed as splitting his chest and showing that lord Rama is within it. My gesture, counter gaze direct to the viewer provokes to think on the issue. Through this performance I am trying to erasing the identical, political conflict and arising question in to viewers mind towards the identity. It is very important for me to do like this in the context of India where the identical religious conflict, discrimination constantly happening last few years and mostly created by the fundamentalist religious groups.

Artist start intervening with the performer. 
It is very important that when the intervention happen in a Art Performance which is a challenge for the performer how he react the intervention, sometimes the intervention discover many layers hidden with the gesture as well as input many directions with the performance.

























My gaze was encountering every person and finally I freeze for one minute in front of Sam Ford, a participant artist in KIPAF 2016. Sam came to me and hug me and in that time i thought i should stop my performance. In my performance I am always never think when i will ended my performance which is depend on the audience reaction. It is also a kind of telepathy connection between performer’s inner psyche and the public.




I am trying to convey different narrative in to a one space. The disjunction and juxtaposed images provoke and force to think. And they can discover the layers emerging from created images or gesture or narrative. 

by Anupam Saikia.

Here is one report by Ferial Afiff, a Indonesian performance artist about KIPAF16 :   EARTH PEOPLE :Ferial Afiff's KIPAF16 report


#performanceartinindia #kipaf16 #anupamsaikia #justiceforRohith #artperformance